Turini, 40, says he was told to write more dialogue than action, avoiding scenes where characters ran because those were harder to animate. The replace changed it to ‘Gutoerico’, which makes no sense at all.” But there was a line in which ‘Fred’ was called ‘Frederico’ by his angry uncle. They searched for ‘Fred’ in the script and did a ‘replace all’ with Guto. At the last minute, they decided to rename him Guto. “There was a character named Fred,” says Brandt, “which in Brazil is short for Frederico. And rushing meant mistakes made it into the final cut. The only information he had to work off was a Monsters vs Aliens poster, as DreamWorks hadn’t yet broadcast any trailers. “They didn’t care much about the quality of the script,” says 38-year-old Brandt of his bosses. “There is no redeeming quality to this movie,” wrote one reviewer. The resulting film, which follows wacky scientists on monster-hunting adventures, scores 1.1 stars out of 10 on IMDb. How are they made? Why don’t massive studios sue them? And how do the people behind them feel about their work? Vitor Brandt and Daniel Turini wrote the script for Vídeo Brinquedo’s Little & Big Monsters, inspired by DreamWorks’ Monsters vs Aliens. Still, mockbusters raise a lot of questions. Similar buzz … Little Bee, right, was released two years after DreamWorks’ Bee Movie I’m just trying to get my films watched.” Speaking to the New York Times in 2007, founder David Latt likened his movies to “tie-ins”, saying: “I’m not trying to dupe anybody. Last year, LA production company The Asylum released Homeward, an animated film about mythical creatures, magic and brothers, a couple of weeks before Pixar released Onward, an animated film about mythical creatures, magic and brothers. These mockbusters are not about to disappear. “You don’t need to give the rat a sexy saunter!” Another video – marvelling at the abundance of shoddy Kung Fu Panda imitators, such as Chop Kick Panda – attracted an audience of 1.4 million. “It’s a rat!” bemoans YouTuber Danny Gonzalez. A comedy YouTube video from June 2019, dissecting and mocking clips from Ratatoing, has now clocked up more than 8 million views. The first ones emerged in the 1950s, but the 1990s and early 2000s saw a rush of poorly-animated Disney and Pixar imitators that are now finding a second life online. The movies McHaddo helped to create are “mockbusters” – films that ride on the coat-tails of blockbusters. I don’t have regrets but I’m not proud of it. “I thought, ‘I have plenty of ideas – but OK, I need to pay my bills.’” “I was young and needed to produce some films,” says the 37-year-old from São Paulo. Ratatouille’s budget, by comparison, was £112m. These included The Little Cars (released the same year as Pixar’s Cars) and Little Bee (released two years after DreamWorks’ Bee Movie). He says Vídeo Brinquedo had a budget of just £75,000 to script, cast, animate and score each movie he worked on. “I don’t have regrets but I’m not proud of it,” says Ale McHaddo, one of Ratatoing’s producers. It was created in just four months by Brazilian animation studio Vídeo Brinquedo, to be released in the same month as Ratatouille, the restaurant-and-rat-themed film that went on to win Pixar the Oscar for best animated feature. Ratatoing is not, it is safe to say, a good movie. They then do the can-can and shout “HA, HA, HA!” before making ghostly noises. “La, la, la, la, la,” they sort of sing while sort of dancing. Four unnerving rats – one with a handlebar moustache, another in pearls – begin to jump up and down and grunt in a restaurant, in order to alarm the human clientele. I t is hard to describe what happens 24 minutes into Ratatoing, an animated children’s movie from 2007.
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